Speech Act Theory is a new project by producer and musician Pete Hickman which allows him to explore his vulnerable side, putting his insecurities out there for all to see. Musically this is bringing together elements of Alternative, Shoegaze, Electronica and pop, with the focus on keyboards and vocals, although special mention should be made here of the drums (and I still cannot make up my mind if they are programmed or real), which provide cut through. The guitar and bass take some of the emphasis away from the long held down chords which are played on some very analogue sounding synths, and the feeling is very much of the late Eighties and early Nineties Bristol scene, with Massive Attack being an obvious point of reference.
It gets very close to moving into dance territory but tends to just flirt with the idea and wants to stand against the wall and watch what else is going on. Lyrically this is touching on toxic relationships and what can come out of that. The video is both compelling and disturbing, featuring a male and female character, and one wonders what they see in each other as they mimic the others’ movements, while both are obviously suffering emotional trauma the very first time we see them. It feels far more like a mini movie than a music video, with this song being the effective soundtrack telling us the story. It may not be really my normal form of music to listen to, but there is something fascinating about this and it will be interesting to see where Pete takes us from here.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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