Single/Video Review: E Rere Ai (Fly Away)
Riqi Harawira
E rere ai is a song which originally came from a poem written by Riqi and his partner Floss (who appears in the video) which touches on love, hopes, and dreams. They are a Maori/Pakeha blended couple deeply in love with each other, with the idea of an equal union formed in Aroha (love) and respect even though they are from different cultures and backgrounds. Performed with a full band, musically this is a soft rock number with some pop elements where Riqi is often strumming his guitar, and there are some nice lengthy organ chords which provide a backdrop. It feels quite American late Seventies in its approach, and the guitar solo near the end is perfectly formed while there is enough variety and occasional bite within which lifts it out of the norm and makes it incredibly enjoyable. Riqi has a nice balanced tone to his voice, easily switching between English and Te Reo, and the overall result is something which is deep yet light, immediate with depth.
The lyrics are incredibly important, and this message is strengthened with the video which for the most part is Riqi and Floss in the landscape, their love for each other shining in their eyes. One of the most poignant moments is when Riqi and another are performing a traditional dance and right in the middle is Floss, doing her own thing. It is not disrespect, but rather the bringing together of two cultures and acceptance of each other. If possible, watch the video, as it really does bring home what the song is all about, while at the very end there is a message saying how the Waiata is dedicated to interracial couples who have the courage to embrace each other, who understand the cultural differences, racial disparities, inequities, cultural history of violence and trauma. Despite these differences develop a respect and love for each other to counter racial prejudice, systemic racism, and the oppression of specific racial groups.
A powerful message, all wrapped in a very enjoyable song and lovely video.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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