In my wonderfully formed Kev’s Top Tens for 2022 we can see nestling at #5 in the albums slot The World To Breathe by Nancy Howie, otherwise known as Fathom. Nancy is a piano tuner by trade and when she had time on her hands due to Covid she decided to make some instruments for herself which were then used to record the debut, and now she is back with a taster for the next one. A true multi-instrumentalist, Nancy is also a wonderful singer with a knack for coming up with arrangements which are both complex yet feel simplistic, packed full of hooks, which make her songs fresh and inviting.
Her latest number Wink of the Lighthouse is pop with some folk elements, and it is incredible to think that this wall of sound was created by just one person, as while it may start with just some simple repeated chords on a piano it soon expands. There is a lot of space within the arrangement which allows all the individual instruments to shine while never taking away from the vocals and beautiful harmonies.
This is a perfect Summer song, built for the radio, and unless someone had read a review they would never realise it was just one person using instruments she had built herself. That element might be what gets people trying her music for the first time, but they will soon forget that and instead fall in love with her wonderful feel for sound. Not only is she releasing her second album, Modern Reflections, in 2023 but as the recipient of the 2023 Daphne Gretta Mary Stevens Community Music Scholarship, she has been commissioned to write a suite of chamber music to be played on her DIY musical instruments. Those will both be well worth hearing but until then I will keep playing this, and you should as well.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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