Single Review: Wet Mouth

Jazmine Mary

Review by Kev Rowland // 5 May 2023
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Single Review: Wet Mouth 1

I have been fortunate enough to see Jazmine Mary play twice, and if one wonders what their musical style is like then it would not be too far into left field to say combine the artists I have seen them open for, namely French For Rabbits and Reb Fountain. They capture the dream state of both, taking the influences of Reb even further into folk noir territory with a melancholy and style all their own.

Wet Mouth is the second single from their forthcoming album Dog and given the success they had with their debut; I am sure there are many who will be very much looking forward to it. It is nearly five minutes in length, which gives plenty of time for Jazmine, Peter Ruddell, Dave Khan and Courtney Rodgers to slowly burn their way into our brains.

The use of space and reverb within the arrangement is essential in the way it brings it all together as Jazmine shares their story of delusional romanticism, described as a dishonest taste of small-town Australia, which is where Jazmine grew up. The acoustic guitar combines with their vocals to provide the structure, while in the background there are different drum patterns, plaintive violin, keyboards which come in and out, so we feel this is a song which is a breathing, living being.

Delicately powerful, simple yet dramatic, with vocals switching between falsetto and alto, this creates a world all its own.

About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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