Single Review: Weekend At Bernies

Jack Panther

Review by Danica Bryant // 2 November 2022
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Single Review: Weekend At Bernies 1

Fresh off the success of his sophomore EP why don’t you come over?, Auckland creative Jack Panther is back with new single Weekend At Bernies, a tight alt-pop release carefully positioned for commercial success.

Weekend At Bernies uses distorted digital instruments to tell the story of a relationship fizzling out. Prominent electric guitars feel as though they’re melting through each verse, becoming stilted and jumpy in the choruses. Subtle electronic drums allow the song to move through steadily without too much dynamic change.

At times, the track’s slick pop production and simple melodies play it relatively safe. But details like distant snippets of conversation in the background of the second verse add some interest. They sharply contrast Jack’s smooth vocal performance, which makes the song a playful, enjoyable listen, but also does well to convey the often frantic and complex emotions of heading towards a break-up. The track’s bright pink and blue cover art is also worth a mention, as its bold Y2K aesthetics portray Jack’s irreverent, candid artistic identity further. 

It’s clear Weekend At Bernies is another stellar entry into Panther’s catalogue, now overflowing with concise, hook-laden tracks that position him as a powerful force in Aotearoa’s pop music industry.

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About the author Danica Bryant

Sharply bitter and sickeningly sweet all at once, Danica Bryant is not your ordinary songwriter. Born to the fruitful music scene in Napier, New Zealand, her songs cover intense topics such as adolescence, mental health, sexuality, and young love. Danica Bryant is “all hard guitar and pain-filled howl” (The Hook NZ) – this woman bites back. Bryant played her first gig at age twelve. Her career ripened when Smokefree Rockquest awarded her the National APRA Lyric Award in 2018, for ‘Dizzy’. The following year, her track ‘Sugarbones’ featured on Play It Strange’s annual songwriting compilation album, and she won their national ‘Who Loves Who’ contest covering Aldous Harding’s ‘Horizon’. Bryant was also selected for mentorship by Bic Runga at her Christchurch Art Centre workshops. After opening for Kiwi legends like Jason Kerrison and Paul Ubana Jones, Bryant was cherry picked to support Elton John on his ‘Farewell Yellow Brick Road’

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