Single Review: The Brightest in the Land

Hoop

Review by Kev Rowland // 16 June 2022
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Single Review: The Brightest In The Land 1

I have seen Hoop play twice this year so far (the third will be in a few weeks) and each time I have come away impressed with the depth and breadth of their Americana-inspired folk. This is due in many ways to having two songwriters in the band, both of whom are singers and multi-instrumentalists while they also have an excellent rhythm section and a great fiddler. The line-up on this release is Al Baxter (guitars, mandolin, banjo, vocals), Nick Edgar (flute), Emily Allen (violin, viola), Rusty Knox (percussion) and Glen Coldham (bass). They have also brought in John Molloy as a guest accordionist, which definitely adds to this song which in many ways is a sea shanty in a traditional style.

Al sometimes undertakes guiding on the island of Tiritiri in the Hauraki Gulf, and when he was telling visitors the story behind the Tiritiri Matangi lighthouse he felt it was the perfect inspiration for a song given that it is the oldest lighthouse still in operation in New Zealand, as well as being the first lighthouse built by the Government. The song feels very English, not only in the lyrics but also in the way the arrangement has been constructed which has provided a real opportunity for Emily to shine. From my experience of seeing them play live, Emily normally provides nuances and additional touches here and there but, in this instance, she has taken the opportunity to be the main melodic foil, providing a wonderfully fluid line throughout. It sounds as if she has been taking notes for Ric Sanders of Fairport Convention as there is no doubt, she is performing a very similar role. The latter part of the song is a reel (apparently a trad. arr.) arranged by Emily, but it fits in perfectly.

Far less Americana than their normal material, way more English, this is an absolute delight.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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