Only nine months since their last album, and Adam and the band are back with the first single from the next, Bug Eyes, which is due out in November. Salt clearly shows that here we have a band who have paid their dues by working the circuit since they released their debut in 2018 and soon, they will be back with their fifth – the work ethic puts many other bands to shame. Their take on alt rock ‘n’ roll brings in plenty of Americana, and while Adam’s vocals are always front and centre, they are lifted by an accompaniment which is almost a wall of sound with some jangly guitars and staccato piano building around a rhythm section which keep it smooth and sweet with some fluid basslines. We get two verses before the chorus which is a total contrast to what has gone before, with the accompaniment dropping away and harmonies coming in. Then it is back to the accompaniment, but with some wonderful “Oohs” over the top and a restrained melodic guitar lead.
The longer the song goes on the more Adam relaxes his vocals into it, allowing nuances and flecks to come in, providing an edge until the song slowly builds into a climactic mess of noise as it degenerates but then ends on a dime. If just one song is like this, what are we going to hear on the album? The breadth and depth is wonderful, and if you have yet to come across Adam Hattaway and the Haunters then this is a great place to start.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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