Single Review: Redwood St. Massive

Big Scout

Review by Kev Rowland // 5 May 2022
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Single Review: Redwood St. Massive 1

It’s not often that a song can take me straight back more than 40 years on the first time of hearing, only to reinforce that with repeated plays, but that is exactly what happened with this angry trio from Blenheim. This is stripped back music which has a great deal in common with the post punk Oi! scene, where bands like Cockney Sparrer, Angelic Upstarts and the more commercial Sham 69 made their name. It is based on a repeated drum fill/rim shots track which must surely have caused RSI by the time they got to the bridge at nearly 2 minutes, but it is soon back into the pattern. The melody is carried by a very effective lead bassline (very Green Day), while the vocals are spoken/shouted, and the guitar makes itself heard in a discordant manner in the chorus.

The bass is warm and inviting, but the drums are harsh, the guitars strident, with the vocals full of angst and the production is fascinating as the different elements have been treated in multiple ways so they come together in a way which does not quite fit, yet do, so it is jarring and uncomfortable, just as the song was intended to be. This is independent music from a band who refuse to conform to society’s expectations but instead are on the boundaries and are happy with their lot. This is as far removed from gentle commercial rock as one can imagine, as this is designed to elicit a response, as these guys are upset and angry, and want the world to know it.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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