Single Review: No Funeral Blues

Cautionary Tales

Review by Kev Rowland // 19 May 2023
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Single Review: No Funeral Blues 1

Cautionary Tales are a multi-international band in that they are mostly based in Berlin, as well as Aotearoa and NYC and feature Will Marshall (vocals, keyboards), Karl Weber (guitar, backing vocals), Martyn Matthews (synthesizers, Rhodes, Hammond), Taylor Mallo (bass) and David Binnie (drums), with contributions from Kyle Hussa-Lietz (guitars). They describe themselves as an art rock collective, and to me that is a fair description although in many ways they are more in the krautrock mode for the music, with Tangerine Dream being an obvious point of reference, although there are also some elements of Floyd.

With their new single No Funeral Blues, the music is a wall of sound, against which Will provides his voice. I use the word “voice’ quite deliberately as there are times when he is talking, with huge gravitas, and others where he is singing in a trained baritone style. With these different styles and the beating heart of the synths, one is drawn deep inside the music which must be played on headphones to get the full benefit.

I know this is a single from the forthcoming album, but it is better to treat this just as a taster for the main event as this is never going to be played on popular radio, as in some ways it is quite maudlin, and is at a sedate pace (as well as being more than five minutes long). This is a nice introduction, with the drums not even making an appearance until more than four minutes in, providing a solid build. Interesting stuff.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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