Single Review: Mercedes Car

Louis TM

Review by Danica Bryant // 19 August 2021
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Single Review: Mercedes Car 1

After years backing other artists on the keys, Louis TM is out to make his own mark on the musical world as a soloist. The resulting track, Mercedes Car, is a biting track directed at wasted wealth, carefully crafted with the help of Tiny Triumph Recordings, JJ Golden and Diver Records. It is an impressive debut single, dripping in soul and sass which clearly come naturally to Louis.

Mercedes Car is structurally and melodically clean cut, adhering strongly to traditional genre conventions of soul and R&B. But this is most certainly to its benefit. Warm brass instruments, crisp, upbeat percussion and quirky female backing vocals work to create a full, exciting soundscape, balancing perfectly with Louis’ powerful vocals to uplift but not outshine. His lyrics are clever without being overly complex. His tone is comforting and his pitch perfected in effortless fashion. Moreover, Louis leaves plenty of space for the track’s extensive instrumentation to also shine. Majestic guitars and subtle, sparkling glockenspiels take Mercedes Car from simple goodness to absolute glory.

Louis TM’s musical experience and confidence is abundantly apparent in this impassioned debut. Mercedes Car is a groovy track with an underlying snark, shaping Louis as a force to be reckoned with on Aotearoa’s incredible soul scene.

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About the author Danica Bryant

Sharply bitter and sickeningly sweet all at once, Danica Bryant is not your ordinary songwriter. Born to the fruitful music scene in Napier, New Zealand, her songs cover intense topics such as adolescence, mental health, sexuality, and young love. Danica Bryant is “all hard guitar and pain-filled howl” (The Hook NZ) – this woman bites back. Bryant played her first gig at age twelve. Her career ripened when Smokefree Rockquest awarded her the National APRA Lyric Award in 2018, for ‘Dizzy’. The following year, her track ‘Sugarbones’ featured on Play It Strange’s annual songwriting compilation album, and she won their national ‘Who Loves Who’ contest covering Aldous Harding’s ‘Horizon’. Bryant was also selected for mentorship by Bic Runga at her Christchurch Art Centre workshops. After opening for Kiwi legends like Jason Kerrison and Paul Ubana Jones, Bryant was cherry picked to support Elton John on his ‘Farewell Yellow Brick Road’

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