Class, sheer class. When I first heard this a face kept popping into my head as to who this reminded me of, but it took ages for the synapses to snap and finally it came into focus, Richard Marx. This is a song which is incredibly well written and arranged (and from a reviewer’s perspective, it is exceedingly rare to be provided with lyrics for a single), with the focus on the vocals and the arrangement both sparse and delicate, yet supportive and providing the edge where it is needed. Lyrically it is about a night out with a girl you’re falling for. It chronicles the night, from getting ready together, the walk into town, moving in and out of bars, dancing and singing to a rock and roll band, and eventually walking her home in the early hours of the morning, and deciding to skip work so that it doesn’t have to end. The song captures the nervous excitement of getting to know someone and going out with them in those early days.
It is a delight from start to end, taking us back to the Eighties where the main focus is the vocals, with just a hint of reverb and no other treatment, but with piano as a base and some nice electric guitar when it is needed and percussion that is just right. This is all about that night, which is special for both of them, as they need nothing else apart from each other. It is a classic rock song, with loads of space in the arrangement and the melodic vocals always front and centre. This is a song out of time and place, as this is what was hitting the charts more than 30 years ago and was destroyed by the advent of grunge, yet music as good as this can never die. It has been a year since the last single, let us hope that there is an album due in the near future as this is class, sheer class.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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