Single Review: It’s All Over

No Man’s Land

Review by Kev Rowland // 7 July 2022
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Here we have the latest single from No Man’s Land, which is quite different indeed to the last one of theirs I reviewed, West Coast. That was heavily based on the piano, but here the keyboards are much far more restrained, with held-down organ chords as there is a far greater emphasis on vocals, harmonies and guitars. What we have here is a song which is looking way back in time to the Sixties, bringing together two of the great genres of that times, Motown and psychedelia. This is a young band, with three of the four currently at Wellington University, but there is a maturity to this which makes one think it is much older group. Hannah is singing much lower than I have heard before, yet she also allows her voice to lift, while the harmonies are simply delicious.

There is so much space in this arrangement that one can sit inside the music and rest for a while, as they use that as an additional instrument to have fun with, letting instruments fall away, vocals to rise and the key change is a delight. They are also not afraid to stop in the middle, take a breath and move on, so the listener is never quite sure where they are going to go with it except it is a delight from beginning to end. I think this is now their fourth single, so the question must be, when do we get the album? Pop, soul, psychedelia, this is made for radio yet has a real depth and balance.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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