There are some songs which are infectious from the start, with a sense of humour coming through the vocals even before listening to the lyrics, all combined with great hooks and Summer joy. Here we have a number which has been released in the middle of winter, which I am listening to on yet another rainy day in Auckland but is full of the joys of Summer – even if those joys are constrained to being stuck in overheating tin boxes as people make their way out of the city to the beaches or far North. The vibe behind this, is why stick in a traffic jam when instead you could be having a party?
The Gemini Effect are a trio who describe themselves as an alternative rock band, which is probably a fair description, but they also bring in dub and pop to create something which defies the listener not to move and have a blast. Unusually, the verse is generally backed by bass and drums only, with guitar coming in on the chorus and for some wonderfully short psychedelic interludes. It is hugely infectious, and the repeated refrain of State Highway One is bound to get everyone shouting along at gigs as the band implore everyone to stop the traffic and join them for a party.
The video of course shows gridlocked traffic (what, in Auckland?), and the guys deciding to entertain everyone by getting their gear out of the van and setting up to play. There are no signs of any generator, but obviously they must have put some Number 9 Wire ingenuity to resolving that, as soon they are rocking. Of course, someone has a barbie in the back of their ute, and soon sausages and bacon are being delivered as well. People in the audience all get a turn on the instruments, and like the song itself, the video is just a ball of fun. There are plenty of hooks in the song, and the guys are certainly shining a light on another grey day in Tamaki Makaurau and making everyone smile. Well worth investigating.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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