Single Review: Cast a Shadow

Shadowcaster

Review by Kev Rowland // 26 May 2022
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Single Review: Cast A Shadow 1

Although there is a band when it comes to performing live, in the studio Shadowcaster is a one-man affair with Trent Graham performing all manner of guitars and some keyboards. While it contains elements of the likes of Mumford & Sons there is also a very definite nod to The Levellers and our very own Albi & The Wolves (although with no violin). The use of a distorted electric guitar over the top of the acoustic gives the music a distinctive folk-rock feeling, and at times it feels quite basic and taking us back to the early Seventies while there is also some lead picking which feels very Americana in style.

There is a naivety within this, and the use of simple percussion does little to drive the music forward apart from providing a basic beat. This lack of drive and depth is something of an issue in that while this is an interesting number with strong vocals and presence, there is also very much the feeling of an opportunity missed. It does not build as it should, and at the end instead of a climax it just drifts away. However, it must be said that this is a debut single and although Trent has previously been involved with bands it has been some six years since he was working in the scene, so this is very much the early stages of Shadowcaster, and he has started with what is designed to be the theme song. I am sure there will be progression and more layering in the arrangements as he moves forward, and while not absolutely essential there is no doubt that this is a grower and benefits from repeated plays. It will be interesting to see how he builds on this, as there is promise here and I look forward to hearing more from Trent in the future.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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