Single Review: Broken Heart Recovery
Samuel Philip Cooper
Here we have Samuel Philip Cooper, a 25-year-old Wellington-based solo-pianist, who releases his first single, Broken Heart Recovery on Saturday 29th August. Cooper is planning to release this and one more tune as singles prior to the release of the album, Breaking The Silence, in November. It is unusual to find this style of music being released as a single, as solo piano pieces generally form part of a larger piece of work which tend to work better as albums.
This is certainly an interesting tune, which builds well, containing both bombastic elements and much quieter ones, putting a lot into 3:24. There are times when the music swirls like running water with lots of very fast repeats with the right hand, and there are a few times when he slightly loses control, but brings it back with strong use of chords, showing a strength and vitality which is quite removed from the slower and more sedate elements.
If I were to pick one musician as a point of reference, then it would be Rick Wakeman’s piano works, as the use of different attacks, timing and force are very much in the caped crusader’s territory. Over the last few years Cooper has been reading about mental health and suicide in New Zealand and feels that putting his own vulnerabilities into the music it helps in so many ways.
“At various points in our lives, we experience relationship break-ups, either with a partner, family or a friend, and that takes a tremendous mental toll,” he says. “This song is about my struggle in dealing with, and recovering from, a relationship break-up, and it remains a reminder to me, and others, that speaking up to close friends and family is important when experiencing sadness and despair.” All proceeds will be donated to the New Zealand Mental Health charity, Voices of Hope.
There is a brightness and flow within this piece which makes one look forward to the album release later in the year.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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