Single Review: Blameless

Joseph E Harrison

Review by Kev Rowland // 11 April 2022
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Single Review: Blameless 1

Joseph E Harrison came over to NZ from Sheffield at the end of the 90’s, since when he has been performing in different bands, most notably in Brave New Void. His new single, Blameless, is a totally solo performance, with Joseph writing, performing, and recording this on his own, and it immediately evokes one performer and period in particular. This is classic Bowie, but not the Thin White Duke or Ziggy, but rather what he was doing in the Eighties before he jumped into Tin Machine. It is catchy, it has a strong backbone beat, plenty of angular guitars which turn into riffs when it is time for the chorus, plus synths coming in and out to create a different feeling. One of the really clever parts of the arrangement is the way (almost exactly halfway through) when all the instruments drop away as he sings the line “I guarantee you’ll remember my name”, and if you had been wondering up to then who this reminds you of there is no doubt from here on in.

It is full of pop hooks, plenty of guitars, and sounds all so wonderfully dated but whereas some songs make it all seem twee which leaves an unpleasant taste in the ear, instead this feels like a song which was mastered 40 years ago and then forgotten about until someone came along and blew the dust off the tape case and put it in the player. It is fun, it is buoyant, with vocals which have just the right edge and for anyone who enjoys that period of Bowie or Roxy Music will find much on here to enjoy.

About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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