Dub Asylum continues on with many of the musical elements present in the Picassos sound, taking them on a more electronic bent. Mixing up scratchy old hip hop drum loops and samples with dubbed out guitar and keyboards.
After a long string of cover versions, the asylum has come out with new music in the Time & Space EP. McLennan describes it as “Sparse, moody, repetitive dubs to tune in or zone out to. Written over five days in the middle of (NZ) winter, staring towards the future thinking about lux flakes, lost causes and loose units, while watching dem youth make a difference.”
Every song is full of mind-stretching delay tails and deep, chesty bass notes that mean you can’t help but breathe longer and
feel wiser as you zone in your chosen direction. Ebbs in the instrumentation leave you feeling as if you’ve been thinking deeply,
even if you’ve only n that you haven’t moved, let alone thought anything, because the sound of the tracks changing makes
you realize yourself again. Touches like the Gregorian-esque chanting in Critic of Clouds leave relaxing footprints in the air that
they
travel through to get to your brain.
While centred around meditative motifs, Time & Space EP is like a day spa in purgatory, combining reliable and relaxing rhythms and tones with chaotic intermittent tweaks and musical suggestions. Calming elements like the steel drums in Bass on the Backlash, which alternate between two pairs of pitches that become a hypnotic, semi-regulated frequency, are not so much interrupted as they are assaulted by short contributions from other instruments.
The effect is like being in a damp forest full of birds singing back and forth with each other.
Also like a forest of birdsong, eventually all the components become part of the scene, just long enough to patch into the chaos
before it gives way to the next track.
Perhaps the most endearing quality to Time & Space EP is the playfulness of the sound choices. From the soft and cuddly laser beams of the title track to the sinister balloon rubbing sounds and drum attacks so slow they sound like gunshots in Delectable vs Electable, Dub Asylum has a quizzical wrinkle of noise set to spring around every corner. Heartbeats, stretchy synth pads and crunchy, possum-in-a-cereal box sounds await you when you make the choice to spend a few minutes in time and space with Dub Asylum and the Time & Space EP.
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About the author Callum Wagstaff
He’s frail, like a buttercup, but he’s not happy about it. Bittercup is the personal catharsis machine of Callum Wagstaff. He hates himself and has found people enjoy the fruits of his shameful confessions, related in sweet serenades, intense outbursts and rarely anything in between. Bittercup (Wagstaff) started out fronting a band of the same name in 2015 before ailing health and renal dialysis forced him to give it up. Despite that he continued to write music and work the New Plymouth scene as regularly as he could in local cover bands Dodgy Jack (drums), The Feelgood Beatdown (Guitar) and Shed: The Tool Tribute (Vocals). In late 2018 in a freak accident he was granted super kidney powers which allowed him to refocus himself on the Bittercup concept, releasing an official Debut EP: “Negative Space” on May 3rd 2019. Negative Space was described by Happy Mag as “a bleak but
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