EP Review: Lookin’ For Somethin’

Edge Of The Woods

Review by Kev Rowland // 5 August 2021
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Ep Review: Lookin' For Somethin' 1

This six-track EP from West Coast trio Edge of The Woods shows there is still plenty of room in this musical world for well thought out and delivered music with real soul and heart. They bring together folk, alt-blues. Americana and roots in a way that feels so incredibly real and honest. This is deep and rich, powerful yet driven only by acoustic guitar, drums and warm bass (plus a few guests) with everything built on the gravelly baritone of singer Wes James. It is Wes who also provides the guitar, and his partners in crime are Matthew Mahood (bass) and Jarrod Hooper (drums), and I am sure that Matthew cannot be as young as he looks in the cover photo.

The six songs are incredibly diverse, all coming at us from different directions, with Frown Upside Down undoubtedly one of the highlights. This is swamp blues with a real groove and swing, and the only way describe it is as being downright filthy in its mood and tempo. This is where Wes pours emotion into a gravelly performance where his voice feels incredibly broad, and in many ways, this reminds me of classic Dr. John. But contrast that to Eruera, and it is difficult to realise it is from the same band. Sung in Te Reo, this is a tribute to Wes’ friend, Eruera Tuhura Mita, who passed away in 2016 aged just 43. They met at the University of Waikato in 2016, where Eruera would often lead study groups in karakia and whaikorero. This is far more reflective, more pastoral, and thoughtful, leading us in a solemn tribute, saying how much he mourns his friend, who he sees as a chieftain. Matthew and Jarrod stay much more in the background, providing just the right amount of support to ensure that the focus is very much on the vocals. The picked guitar solo on this song is just right, totally in the moment.

There is a delicacy within this EP, yet also a hidden core, and this resonates with the listener who understands this is reality, real music being performed by real musicians with no studio trickery. I can imagine that in concert they are quite a bit rawer, as there is a feeling of the emotion ready to burst through which is probably more palpable when in front of an audience. There is a strong understanding between the guys, and no need to play six notes when just one will do, with everyone prepared to sit back at the right time and dive in at others. This is an incredibly strong debut EP, and I for one am going to be keeping an eye out for more from these in the future.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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