Tall Folk are a relatively new band, only coming together at the end of last year and feature Dunedin singer/songwriter Lara Robertson and mid-Western import Jack Ringhand, with both providing lead and harmony vocals and acoustic guitar. It really is a coming together of styles as Lara is obviously more from the folk end of the spectrum, while Jack’s gravellier rasp is far more set in Americana.
The 3-track EP Live From Martin’s was recorded in a Catlins’ bach with the assistance of Dunedin rocker Michael Morris, and I presume it was recorded live. The reason I say that is because there are some notes on guitar on opening song Dani which jar every time I listen to it, and I am not convinced it is deliberate, as to my ears they are at odds with the rest of the song.
It is quite a distraction for me, as everything else about this 14-minute set is simply delightful. I love Lara’s gentle breathy vocals, and when she takes lead, it is like a shining light. Jack’s vocals are a real contrast, and when he is in front it gives the music a totally different feel with more depth, gravitas, and hidden power. With just guitars for accompaniment, no percussion, and arrangements where often it is only one of them singing, which gives the harmonies more presence when they arrive, it is a set full of space.
This is music one can relax into and demands to be played on headphones to get full benefit. They have been touring the bottom of South Island, but I truly hope they have the opportunity to come up here as I am sure these are going to be great in a small club. Plus, anyone who enjoys poking humour at themselves has got to be fun. As they say, “Lara is from a long line of long legs. Jack is an extension of generations of long necks. Together, with their long limbs and swirling harmonies, they are Tall Folk.”
About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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