Evan Rhys first came to public attention when he was front man for Somersault, and after working on other people’s material and also with Maori Television, he is now back with an EP of four of his own songs. Recorded with Sam Johnson at Rhythm Ace Studios with drummer Ben Payne and bassist Nate Betteridge, this is a release where the music is brutally honest, and the singer wears his heart on his sleeve. The four songs are quite different from each other, but all infused with passion, and a desire which causes the voice to crack at times and go offkey, but the listener is taken along for the ride.
The opening title track starts sedately, with gentle chords and rim shots, but the vocals finally break through, the instruments come alive, and a delicate repeated keyboard motif adds additional brightness and life. In many ways this is reminiscent of the Nineties guitar-based indie scene which gave birth to Oasis and would undoubtedly be appreciated by those who have been wishing for the return of the fighting Mancs. But one of the interesting things about this EP is that there is incredible diversity within the four songs, so while they all have their roots in that Indie/Alternative feel, they are all very different from each other, although they all have Evan’s vocals at the very heart of everything they are doing. Truly Free is old school soul, but soul that has not been sanitised and produced within an inch of its life but left raw and vital. Skyline finds Evan move more into pop, with female backing vocals and synthetic-sounding drumming, combined with his vocals and an acoustic guitar. Personally, I would have liked this to have had a different treatment, as if this had been left as a purely solo piece with just an acoustic, I am sure it would have come across with even more impact. The EP ends with Wonder, where this time piano provides the main musical support, but one of the most important aspect of this particular piece is the use of space and the way the music flows.
Four very different songs, all brought together by the vocals of Evan, and the sheer passion he brings to everything he does.
About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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Single Review: The Strangest Dream
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