EP Review: Beautiful Words

AJSCeleste Music

Review by Kev Rowland // 6 June 2022
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Ep Review: Beautiful Words 1

Beautiful Words is the latest release from Tauranga-based musician Amanda Sloan, who goes under the name Celeste Music. This five-track EP is under 13 minutes long, and for the most part is based around the vocals of Amanda, accompanying herself on picked acoustic guitar, with additional instrumentation such as keyboards laid over the top. She has a singular singing style, and this combined with her songwriting means that musically she has more in common with the indie scene than one would expect from someone performing in a fashion normally associated with singer/songwriter or folk.

This is definitely music which is out of left field as opposed to mainstream and therefore will have a more limited appeal than one would imagine of a musician with an acoustic. I listen to far more music than is either normal or sensible for any single individual, writing more than a quarter of a million words on the subject each year, and after well over 30 years I hate to think what my current total is, but I have had real difficulties getting to grips with this. My issue is that I have not been able to get inside Amanda’s mindset, and with that being the case I cannot fully say if she has achieved what she set out to do, as this is not something I have enjoyed playing. It is quite possible that the issue lies more with me than Amanda, but there is no doubt that this is a release which takes work and even then, will only appeal to a few. This is available on Spotify and all normal platforms so why not give it a try and see what you think?

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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