Some 40+ years ago David Coverdale sang the immortal words, “I love the blues, They tell my story, If you don’t feel it you can never understand” and they are as true today as they ever were. If you get the blues, really get the blues, there is nothing else like it and although I love the electric works of Lightnin’ Hopkins, T-Bone Walker and Muddy Waters, there is something about the pre-war acoustic blues which hold a special place, people like Blind Lemon Jefferson, Blind Blake, Lead Belly and so many others. Just a person with an acoustic guitar (mostly male but check out Elizabeth Cotton if you have never heard her), a microphone, and a heart full of pain.
Last year, in my end of year Kev’s Top 10’s, I list Grant’s album Awa Blues as one of my top 10 albums of the year, while the lead single from that, This is the Place, is still one of my favourite ever Kiwi songs. So, I was rather upset to discover this album had been released earlier this year and I had only just come across it. Grant was offered the opportunity to do a “livestream” on both the Rolling Stone France Magazine and Galago Music’s Facebook pages, so he jumped at the opportunity and his label suggested he recorded the set to release as a live album. What we have here is the raw, unedited, depiction of a man and his acoustic guitar (and a beat box which I could have done without, to be honest), singing his passion while providing stunning acoustic (and sometimes electric) guitar. In fact, his playing is strangely reminiscent of both Roy Harper and his son Nick, two of the finest acoustic guitarists to ever destroy all hopes of budding learners everywhere (I have seen them both do things with an acoustic one would imagine impossible).
He gets lost in the music, and we get vocals murmurings and mumblings as he goes down an instrumental tour de force, somewhat like Ian Anderson when he is in the middle of a flute solo. This adds to the heart and reality of this, it is not clinical and auto tuned to destruction, but instead we have a real musician pouring his heart out to us all. I first listened to this on Spotify on my phone, and the wretched thing played in shuffle, which meant it started with track 9, This is the Place, and I was once again transported back to the wonderful video which accompanies the single, driving along and singing with Grant at the top of my voice. As David said, “’Cos I love the life I live, I’m gonna live the life I choose, You gotta understand I’m walking in the shadow of the blues.”
Awesome.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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