On April 19th, 2018, the Transiting Exoplanet Survey Satellite was launched on a two-year mission to find a rocky world with an atmosphere which could be probed for signs of life. Although it had an official name, the media just called it a planet hunter which seemed more exciting, and a Wellington rock band finally came across a name they felt was fitting for the music they were creating. Fast forward a few years, and the quartet are releasing their debut album which is named after an extremely radioactive synthetic element which came into existence less than 20 years ago. Who said rock bands aren’t nerds at heart? Given the way they chose the band name, plus the science matter of the album, one could be forgiven for thinking that here we have a progressive rock band who follow Hawkwind and are generating space rock, but no. What is contained within these grooves (yes, it is available on vinyl) is music that is combining grunge and doom to create something which is incredibly heavy yet has an underlying groove and commerciality which makes it a load of fun.
The band comprise Jedaiah Van Ewijk (bass), Cormac Ferris (vocals), William Saunders (guitar) and David McGurk (drums), and one can imagine them recording this live in the studio as there is little in the way of additional tracking or layering (although there is some on the guitars in places) and it has the vitality one would expect from that manner of working. The bass is rich and thick, often tied in directly with the guitar although there are instances when it goes off on its own, while the drums provide the punch and chop through the bottom end, of which there is plenty. There are a few effects on the guitar, but mostly it is all about throwing down a line or riff and expecting the rest of the guys to pull in tight behind to work as a single unit. Cormac has a great voice, thick and broad with plenty of range and the music allows him to work the range, calming down when the need arises but also allowing him to demonstrate his chops. In many ways they remind me of Auckland band Silcrow, and if someone could organise a gig of the two of them together, I know that would work incredibly well.
For those who want to be able to put a saddle on the riffs and ride them around the room, this is solid, punchy and direct with a great underlying groove. They say their music sounds like celestial bodies colliding, and they may be right.
About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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