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Sludge bands are few and far between in New Zealand and one of our best and highly regarded have unexpectedly made a return with a brand new eight-track album. Nominated for best rock album at the 2011 New Zealand Music Awards and after an almost a two-year hiatus in which, singer Matt Hyde managed to fight off Non-Hodgkin Lymphoma, Wellington heavyweight’s Beastwars are back in 2019 with the release of their fourth studio album aptly titled IV.
Opening track Raise the Sword drops in sluggishly and hard reminding us of the desert rock landscape which this band is most famous for creating. Catching us with the main riff and cutting through with a punchy bassline this song is live and raw. Whilst not straying far from their previous works, we can hear a few added samples and techniques within the production, accompanied by an official music video to bring about a well-planned re-entry for the band.
Turning things up a notch Wolves of Prey slams itself against a cold wall of cymbals and snare. The harsh vocals and full-bodied guitar tones really weigh in on this one. ‘Storms of Mars’ warps out of nowhere with its running riffs and addictive rhythm, crushing our ears before exploding into an epic guitar solo rattling our bones. Screaming from the top of a mountain is This Mortal Decay clearing a plateau with its cascading guitar and solid bottom end throwing the listener out of expectation by honing a fresh sound, unlike previous releases.
Putting things back into perspective is the first single released from the album, Omens. With its super low plunge into a stoner rock style dimension, pulling down before lifting back up into slightly modern sounding virtuoso guitar section. Crossing sounds of Kyuss and the likes of Def Tones to bring a new type of inspiration to the table. The strange drone of Sound of the Grave chugs up some atmospheric feels as it pounds away on the toms like fists on a casket door. An insidious vocal and bassline pair up to constrict the helpless cry of guitar, relentlessly, wriggling away underneath.
Bringing it right back down again is The Traveller emotional and raw the chilling intro bursts into an enforcing volley of harmony, peppered with painful vocals and muddy bass. Broken up by a crude guitar solo that chills the spine and highlights the power of the band. Sneaking up with a ghostly piano riff is the final track on the album, Like Dried Blood. Calm yet confronting this track wraps up the album in an epic fashion building up as it pushes on, developing into a freight train of huge riffs and punchy rhythm before abruptly ending in a chasm of silence leaving the noisy dynamic of the album intact.
A truly epic re-entry for the band displaying techniques of old and new, whilst not straying from their ever famous sound. Be sure to get out and see these lads as they tour the country this June with Aussie brothers Witchskull and catch some of these amazing songs live at one of the several shows booked throughout Australia and New Zealand. IV is a sure-fire way to keep their huge fan-base happy whilst growing it even bigger at the same time. Intelligent from cover art to lyric, this album will not disappoint. Canvassing many types of music tastes and flavours while managing to stay within a tight genre, regaining respect and continuing success, almost right where they left off.
Raise The Sword Official Video
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About the author Matt Mutinous
Owner/Operator at MutinousProductions Reviews at Muzic.net.nz Frontman/Vox at {HeadRoller} For Reviews and Inquiries email; mattmutinous@muzic.net.nz
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