Album Review: Gravity Stairs

In a moment we’ve all been waiting for, Crowded House, who need no introduction have released their new album, Gravity Stairs.

It’s only been a little over two years since their last offering, Dreamers Are Waiting (2021) and it seems fans just can’t get enough.

With the current line still standing since 2020 as Neil Finn, Nick Seymour, Mitchell Froom and Neil’s son’s, Liam and Elroy Finn, respectively. Gravity Stairs is eleven tracks of rich creativity and solid song writing, best described as an entrenched hallucinatory onion. Heavily layered, and each revealing something otherworldly.

First track in, and, from what I read, one of the first songs the band worked out in rehearsals over 3 different continents ( Australia, New Zealand and California) is Magic Piano. It has a fantastic Beatles meets Bowie tone. Completely ethereal, it’s interesting to read the complexities of it, yet it does sound effortless and completely organic.

As you get a few more tracks in, it’s clear this is a very full, but delicate album. The sound is definitely surreal in a lot of ways, with again, those onion layers, some obvious, some not. Twists and turns catch you out like a labyrinth.

Jumping from one idea to the next, you can never say Crowded House are predictable, and with their longevity in the game, they’ve learnt a thing or two about creating art that speaks to them as musicians. What is produced is always magical and Gravity Stairs is no exception.

 For example, I Can’t Keep Up With You. It’s a melting pot of creativity. I hear some outstanding riffs that wouldn’t have seemed out of a place off a Betchadupa record back in the day, yet there it also reminds me of some early T-Rex, again a hint of Bowie and early Beatles.

What they have also captured in abundance with Gravity Stairs is measured simplicity. With last track, Night Song. Reading the backstory about it and how one man’s early morning ramblings became art is truly looking outside the box. It also shows a new layer Crowded House bring to 2024 and their craft, and I, like many others can’t wait to experience more.