Over the last few years, I have been fortunate enough to have come across some wonderful female singers and folk/acoustic acts, and now I have just stumbled onto the Wellington duo In The Shallows which is Danni Parsons (vocals, guitar, percussion) and Lance Shepherd (vocals, guitar, percussion). This song also features bassist Andy Bain (Fur Patrol) and drummer Nick Brown (Eb & Sparrow, Vorn) and guest cellist Bonnie Schwarz (Good Habits, Manchester – UK). As with their last single, Take It Easy, this song is taken from their debut album which will be released in the near future, and based on what I have heard so far, will be something very special indeed.
Acoustic guitars and gentle drums provide the background for a song where Lance provides wonderful harmony vocals during the chorus, but for the most part it feels like Danni is duetting with the cello, as it is only just behind her in the mix. This gives the song a quite unusual sound, as there is the lightness and purity of Danni’s vocals almost competing against the stridency of the strings. Of course, the cello is an incredibly versatile instrument, and there are times when it is played more as a violin with a much lighter approach and this transforms the song yet again.
This is modern folk music and with Danni hailing originally from Wales, I do wonder if she has kept in contact with what is happening musically back there, as there are times when this definitely makes me think of the wonderful Elfin Bow. When Lance is also singing the song feels far more complex, as he has a strength within his vocals, but by giving prominence to Danni during the verse it does mean than when he makes his presence felt it has much more impact. I note they are undertaking a countrywide tour over the next few months, and due to perfect timing I am going to miss all the dates, which is a real shame as on the basis of this I very much want to hear more.
About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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