Back in October I reviewed Palmerston North outfit The Wake Up’s latest single, Worthy, which introduced new bassist Nathan Charles, and now here they are back with the seventh single of their career, and this time around they have a new guitarist in Trent Fairhurst. It sounds as if he has made an immediate impact as this is much heavier than their last one, and drummer Caleb Hickmott says, “it is the demon love child of Devilskin, Billie Eilish and Motley Crue”. My initial reaction was to think that this was just something to say to get people wondering what was going on, but the more I think about it the more I think he may just have hit the nail on the head.
This is commercial pop punk, with plenty of rock, but the keyboards take the edge off at times, while Laura McGaffin’s vocals contain a sense of naivety and honesty which really fits the overall sound. The guitars are often kept quite in the background, but Nathan lets the band get on with it for complete sections, only bringing in the bass on the chorus or at set points, which gives the song a quite distinctive feel. This leaves Laura out at the front, and it is only during the bridge and chorus that everyone is playing and providing that additional support. In many ways, this is a quite basic and repetitive song, but the arrangement is clever, drawing attention to different elements, while the change in pace 2/3 of the way through works really well. Allowing Laura to sing a line without any backing is also a nice touch, as it breaks the buzzsaw riffing and provides the dynamics which are required.
I can really imagine these guys going down a storm at the Ding Dong and I hope they make a trip up to Auckland soon, as I really would like to catch them at a gig. This is another really enjoyable single, and I look forward to their debut EP which will be available later this year.
About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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