Lorenzo Hazlewood is probably best known as front man for Auckland hard rock band Close To The Bone, but he also released some solo singles last year in slightly different fashion, and now he has returned with his first for 2021, Same Mistake. This is reminiscent in some ways of classic ballad-style grunge like good Alice In Chains or Soundgarden, with his vocals very much to the fore. They often sit on a layer of different guitars, yet it is somewhat strange to realise that at the heart of this song is an acoustic, with loads of electric then put over the top. These enhance the song, yet do not remove the soul, and one can imagine Lorenzo performing this totally solo in a very different fashion to the way it appears here.
The same goes with his vocals, as he has multi-tracked them at places in a similar fashion to that utilised by Chad Kroeger and Ryan Peake, yet there are others where it is singular and the contrast between the styles really makes one pay attention. This song again contains a great deal of space, with the music swirling in and out, and the dynamics are incredibly important as the music continues to move and the listener is never really sure where they are going to be taken on the journey.
The vocals really work in this style of music, providing a harsher edge which allows the song to have a far rawer feel than if the vocals were cleaner, hitting a contrast with the stark melody line from the guitar. The pace is slow, never rushed, but also not lethargic as we all gently go for the stroll as opposed to being rushed from place to place, and it is something to be savoured in the way that life itself is a journey and not a destination. The production is superb, and the way the music swells and dies is almost tidal, like a living being, and when the song finishes the listener feels somewhat bereft as if something vital has been taken away and the only way to fill the space is to put it on again.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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