Glass Throne are an Auckland-based power trio comprising Justin Robinson (lead vocals, bass, guitar), Owen McKibbin (guitar, organ, backing vocals) and Daniel Cutfield (drums, percussion, backing vocals). I have managed to catch them play live a few times over the last year, and what always strikes me is just how different they are to the rest of the local scene, coming through as a mix of classic Seventies hard rock, progressive and modern alt rock. Although they do play in the standard drums, bass, guitar setting, as they do here, they also switch at other times with Owen moving onto the organ and Justin to guitar where they come across as a modern Atomic Rooster.
Justin has an abrasive voice with a real edge which is quite at odds with the staccato hard-hitting riffs of the verse, but he can also sing in a far gentler style, such as on the bridge where everything becomes more fluid and the guitar and bass lock in as they move around the neck. The song may be less than 3 ½ minutes long, but there is a great deal going on with during that time as we get multiple sections and repeating themes, all with an almost Tool-like intensity and some great syncopation. The song takes us on a journey, with loads of contrast and strong use of dynamics which really keeps it interesting. They are a band who keep growing in confidence, and this single shows them very much on top of their game. It is going to be interesting to hear a full album from these guys as there is just so much variety in what they are doing, with this song being a fine example
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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