Album Review: Exhausting The Muse

Bevan Mical

Review by Kev Rowland // 7 October 2021
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Album Review: Exhausting The Muse 1

For anyone who has come across Bevan Mical’s single, Weekend, we now have an album which is very similar in style and approach to that song, which is one of the 11 songs in the set. When I reviewed that previously, I said it needed repeated playing to get the most out of it, but somewhat strangely the familiarity throughout the album works in the same way, so that the more one gets through this the more there is to enjoy. Bevan famously said that he is inspired by all forms of music from Fraggle Rock to Eminem, Crowded House to P!nk, and one can certainly imagine this music being featured on Jim Henson’s show. It may be naive, with some dated drum machine at times, but the vocals and acoustic guitar combined with keyboards is incredibly catchy and there are plenty of hooks and fun to be had.

There are little lyrical and musical jokes here and there as well. For example, during Me, there is the line Silence is Golden, so the song immediately stops for a couple of seconds and then starts up again as if nothing had happened. Contrast the lyrics in that song to You!!!, which are far more suitable to hardcore or extreme metal than pop, although again there is a twist in the last line. It is only by listening to a complete album that one really understands Bevan’s approach, in that while there are strong similarities in the songs which carry throughout, this adds to the homeliness and instead of diminishing, adds to the overall effect.

This is lightweight alternative pop music which must be enjoyed for what it is, simple and with no deep layers to be uncovered. That in itself is somewhat refreshing, as what you hear from Bevan in the first song is pretty much what you are going to get through the whole album. There is no show, this is straightforward, with Bevan being honest, so what you hear is what you get and this certainly grows on you by the end.

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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