Following on from the single Pay, which I reviewed a few months back, Blue River Baby (BRBB) are back with the second single from their second album, which is due next year. We find them moving much more into a dub style, with Ree Thomson’s wonderfully clear vocals very much the centre of attention. Here we have a band who love moving in different styles, and here the song starts delicately, with some wonderful percussion, nice bass, sharp guitars, and the keyboards providing just the perfect melodic support and structure for Ree to develop on. It is a song which soon builds, and by the time we get into the first chorus the brass has started to make their presence felt.
Although the second verse lulls the listener into thinking we have reverted back to the style at the beginning, we are soon reminded that here is a group who have lots of power at their disposal and are not afraid to show that. This is a real groover, designed to get the listener moving and paying attention as they demand you pay attention. They stretch throughout the five minutes, changing the song so they move away from core themes only to return, and using acapella when it is right, or crunching into the dub when it needs that edge. It is commercial, yet somehow also uncompromising, with the result being a track and performance which is as well suited for the live environment as it is for the radio. They come across as a force of nature, combining to push forward, allowing the vocals to be at the forefront yet supporting them all the way. The arrangement is a delight showcasing the bands many talents and the album is certainly going to be worth discovering, but until then we have a wonderful summer highlight in Green Cones.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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