Bizarre is the debut single from Auckland-based quintet Fool’s Lagoon. Mark, Connor, Joe, Matt and Joshua have created a bright and summery indie pop jangler which is heavily guitar-based yet is somehow light and airy throughout. The rhythm section bounces along, the keyboards provide a layer of sound, while the two guitars interplay and react with one speaker concentrating on chords, the other on picking, with the later solo coming through both (and it is obvious at this point that the drummer is far more interested in providing fills and rolls than just some hi-hat and snare!). The vocals are clear and well-defined, and this is a song which is surely destined for the radio.
For a debut, the sound quality is excellent, and it came as no surprise to me to see that Chris Chetland at Kog had mastered this as he has one of the finest sets of ears in the business. Personally, I would have liked to have had more contrast within the song, as at times it does come across as a little too one-dimensional, but there is no doubt that the band have confidence and there is no way that one would pick this as a debut as they sound like old hands. The song has strong structure, with some strong Eighties pop influences, and while there is a certain naivety and innocence within the overall sound, it works well, and the addition of the guitar solo and relaxing of the drums is a great idea. Somehow, I think we will be hearing a lot more from Fool’s Lagoon and I look forward to catching them on the live scene at some point.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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