Thames-based lo-fi alternative indie pop musician Bevan Mical is back with his first single since last year’s Exhausting The Muse album. That was his third album, and following on from the success of that, he is bringing us into 2022 with a song of hope. “Maybe this year” is a repeated lyric, and that is something which everyone in the world can surely agree with, as we all hope that this is the year where we become free again of all the shackles we have been wearing. Not all of those are COVID or society-related, sometimes they are within our own minds, but here there is hope that we can get through it and allow ourselves to thrive.
Bevan is a multi-instrumentalist, in a very lo-fi manner, with vocals that are deliberately downplayed with less attention on pure melody and more on the lyrics. At times, his voice is reminiscent of Julian Cope combined with Damon Albarn, while the arrangements are sparse and simple. This is not music created in a flash studio with top musicians, but instead is something performed and brought together with real heart. Bevan creates music because he must, even though he knows it is unlikely to be accepted by the masses who always want something which is performed to a clearly understood plastic formulae. He has a strong understanding of the melodic hook, and this has a very catchy chorus which is easy to sing along with. He may not be to everyone’s tastes, but if you are looking for music being produced by someone who lives and breathes everything he does then this is for you.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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