OTTS are a trio from the Taranaki, and this two-track EP is their fourth to date as they work towards their debut album. Formed in 2020, they have a sound which takes me back more than 40 years to the indie commercial punk style which came through in the second wave in the UK when bands decided they would actually like to be featured on Top of the Pops and the radio after all. This is where bands like Buzzcocks came to the fore, with their commercial approach to punk which still had buzzsaw guitars but there was musical sensibility and hooks in what they were doing which was a perfect transition out of the anarchy and aggression of the original scene and into something more palatable, and that is just what we have here with OTTS.
The drums may be frantic and the guitars riffing hard but listen to the bassline and one will quickly understand it is melodic and keeping everything pinned together. Both songs here, BOK and Sunday Blue are worthy of single status, and the latter has a wonderfully quirky DIY video which is very tongue in cheek and perfectly in keeping with the song itself. The more one listens to this the more there is to hear, as there are some wonderful touches in the arrangements, such as a barely heard guitar crunching a solo at one point, or the way it has a real swing and groove. It is certainly going to be interesting a full album from these guys as these songs have a lot going for them and I hope they make the trip up to Auckland at some point so I can see them play as I bet they are a blast live.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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