Single Review: Resolve

Afterlight

Review by Kev Rowland // 16 May 2022
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Single Review: Resolve 1

There has never been any doubt in my mind that the most difficult musical format to get right is that of a trio, as while it is expected that the sound will be full and complete, there is also no room to hide. That is even more the case when that trio decide to be instrumental as there is no singer to take some of the load, and then what about when the musical grounding is in metal? Well, these brave guys from Tauranga, Daniel (guitar), Issac (bass), and Ash (drums), make it all seem so very easy indeed. This really is an instrumental metal band, but don’t just take my word for it, they recently played with the mighty Imperial Slave at Shredfest in Hamilton, and given that I was at the next night of the tour I know just how brutal that would have been, so these guys do not hold back on the volume or attack, but how do they make it work?

They start off with a crunching riff, and then by the time they get to the bridge all three musicians are moving in different directions with kick drums, cymbals and polyrhythms in one place, the bass maintaining the riff, and then the guitar moving into more melodic territory. Although the guitar is often playing the “vocal” line, Isaac and Ash interchange their roles, either providing stability or further expansion. In some ways the underlying sound is quite djent, but they mix it up with different time signatures and styles so while they may move into death they could also be mixing in mathcore, all which makes for a very interesting sound indeed. It may be instrumental but there is an underlying groove guaranteed to make all metalheads lose their dandruff, with music which keeps changing and blending, so much so that in some ways this should be described as prog metal. This has been a great introduction to the band for me and I look forward to hearing more in the future.

About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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