What we have here is the debut collaboration from Ange.Mac and Shaun Garea. Ange.Mac has been making experimental industrial/ambient music since 2006 and can also be seen playing with his thrash/black metal/hardcore/D-Beat Punk band Bloody Hell while Shaun has just returned to the scene after a gap of about 10 years but was previously in the hard rock band Dezmadore. Even before getting into the music, I could see this was an interesting collaboration, as only two of the five tracks are by both of them. One was jointly written, performed solely by Shaun and produced by Ange.Mac, and then there are two completely solo performances.
However, the EP does not feel as fractured as one might imagine, but instead is incredibly cohesive, and while dark ambient is at its core there are also plenty of other influences being brought in at different times such as industrial, avant-garde, gothic, experimental, new age, and others. Based on keyboards, some songs have vocals, and while some can be relaxing and pleasant there are others which are more challenging, almost invoking the likes of Gridfailure or Krautrock. This is powerful stuff, music which demands to be listened to on headphones so none of the nuances are missed as there is a lot going on while at the same time it can be felt to be almost somnambulant at times. This is music created to take the listener into another space, mostly pleasant, but not always, and although some of the underlying themes are repetitive this is just undertaken to create a framework for other threads being woven over the top. These guys are currently working on the soundtrack to the forthcoming Doom Pilgrim tabletop card game by Czech developer Warclaw Games and I sincerely hope that means we are going to be hearing much more from them as this 30+ minute long EP is well worth investigating by those who want their music to be thoughtful and interesting while also being way out in left field, far from the mainstream.
About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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