Here we have the second EP from Hamilton-based quartet Landlords containing five songs at approximately 20 minutes in length. Interestingly the band are signed with a UK label, something I only realised when I checked out their Bandcamp page and could not work out why prices were in sterling instead of NZD. I must confess this led me to the label site and I can see I need to order a t-shirt they have for sale as it’s awesome! Anyway, back to the band, and as this is available digitally on Bandcamp I had a look at the tags. This can be an interesting exercise, as it allows a listener to see how a band view themselves, and they have a label I have not come across before, “doomgaze”, yet as soon as I saw it, I realised that certainly in the context of this EP it makes total sense as Landlords do indeed play that subgenre of music. They have taken elements of shoegaze, especially the dreamy nature with loads of reverb on the guitars and vocals which are placed within the arrangement as opposed to on top of it, and then mixed it with doom to create something which is lighter than one would expect from that genre while also being heavier than the normal shoegaze style.
Bringing together two styles which are often atmospheric in nature means, unsurprisingly, that we have a very atmospheric collection and consequently this is a set which needs to be played on headphones to get the most out of it. Somewhat surprisingly I managed to be reminded of both Radiohead and The Tornados (whose single Sputnik was the first band single to get to #1 in America) yet always with the threat of something heavier coming along at any moment, especially when the vocals are played towards the background and the focus is on the riffed guitars. There can be one guitar and bass linked together, then this highly echoey lighter guitar overlaid on top, which creates a very different style indeed. This combination works well, and it will be interesting to hear if they manage to maintain this mix when playing live or if the heaviness takes over. They are certainly worthy of further investigation.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
Gig Review: Crushfest @ The Tuning Fork, Auckland – 07/07/2023
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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