EP Review: Garlic Ice Cream

CRYSTAL

Review by Danica Bryant // 7 October 2022
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Aotearoa artist and producer Crystal delves into the complexities of youth on Garlic Ice Cream. The debut EP takes a heavily electronic approach to the anxieties of stepping into adulthood, empowered by Crystal’s honest songwriting and production skill.

The most immediately prominent element of Garlic Ice Cream is its lyrical content, which revolves around imagery of the “suburban nightmare”. Each song is filled with wine, sunsets, and the names of her specific friends, imagining a romanticised version of life’s most mundane parts. Whilst this visual nature often crafts a relatable, expressive world, occasional slang like mentioning a “Karen at the cafe” on opener Better can sometimes pull listeners out of the track and impact its timelessness. Elsewhere, earnest descriptions of personal moments, like a public panic attack on We Feel The Same, gives the collection an intense feeling of authenticity and personality. Crystal delivers each line in an accented, dark manner, clearly influenced by the moody vocals of acts like Halsey and Lorde. 

Sonically, the EP is extremely cohesive, blending alt-pop with more experimental elements of drum and bass, electronica and hyperpop. Crystal often uses thick autotune on her voice to creatively convey her discomfort in expressing real emotions. This provides meaning and interest to each song, as well as crafting a sound that is distinctively Crystal, which is not always an easy feat for an upcoming performer. The vocal melodies are simple rather than demanding on tracks like We Feel The Same and One Dollar Pizza. But their busy rhythms, careful rhymes, and clattering electronic percussion keep a fire lit beneath each number. Whilst the project can become too similar listening in one dose, each song is impressively polished. Crystal’s self-production is clean, creative, and always high quality.

What also strikes the listener about Garlic Ice Cream is its sense of perpetual motion. Crystal drives in cars, rides the subway and eventually catches a plain to move “up North” in her lyrics. This literal desire to travel represents an underscoring desperation to keep up with the stress of change, and how quickly her peers seem to move through life. This is most aptly expressed on closing track Perplexed, which stacks emotive vocal ad-libs over rattling digital drums and bursting synths to musically manifest the exact feeling it finds its name in. As Crystal lists off the fates off her friends travelling the globe by name, it’s hard not to feel like you’re part of their group, struggling through the goodbyes alongside her and wondering where your own destiny lies.

The final line of Garlic Ice Cream sees Crystal promise listeners she’ll tell us “what happens next”. Indeed, alt-pop lovers will be curious to find out, as this stunning debut EP defines Crystal as an artist for whom the sky’s the only limit.

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About the author Danica Bryant

Sharply bitter and sickeningly sweet all at once, Danica Bryant is not your ordinary songwriter. Born to the fruitful music scene in Napier, New Zealand, her songs cover intense topics such as adolescence, mental health, sexuality, and young love. Danica Bryant is “all hard guitar and pain-filled howl” (The Hook NZ) – this woman bites back. Bryant played her first gig at age twelve. Her career ripened when Smokefree Rockquest awarded her the National APRA Lyric Award in 2018, for ‘Dizzy’. The following year, her track ‘Sugarbones’ featured on Play It Strange’s annual songwriting compilation album, and she won their national ‘Who Loves Who’ contest covering Aldous Harding’s ‘Horizon’. Bryant was also selected for mentorship by Bic Runga at her Christchurch Art Centre workshops. After opening for Kiwi legends like Jason Kerrison and Paul Ubana Jones, Bryant was cherry picked to support Elton John on his ‘Farewell Yellow Brick Road’

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