This is the first time I have come across Otautahi-based singer/songwriter Deep Water Creek (Matthew Smith), but this single is taken from his forthcoming third album, so I obviously have some catching up to do. Recorded and mixed by Josh Logan at Loho studios, what we have here is a confident singer/songwriter very much in the classic Paul Simon style, and one where there has been a great deal of work undertaken in the arrangement which really makes this stand out. While based around Matthew’s vocals and his guitar picking, there is a great deal taking place which adds to the overall sound. Although never overpowering Matthew, there is a lovely plucked double bass, sympathetic percussion, lap steel, violin, piano and more. Their role in this is to elevate his vocals without ever taking over, and instead of a wall of sound everything is provided with the space it needs to that it shines without ever overlapping with anything else.
Less than three minutes in length, Matthew’s vocals invite us into his world (which was inspired by him finding a spider in a bucket of water outside the studio), and then we are wrapped the instrumentation and it feels far longer and more complex than the time allows, while also feeling timeless as it takes us on a journey. Think Paul Simon, but with a more country feel than his folk or pop efforts, with a complex and complicated arrangement, and you will realise this is one to discover.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
More by Kev Rowland
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Single Review: Love and War
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Single Review: All This Time
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Single Review: Sons of Savages
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Gig Review: Stray Dogs @ AUX, Auckland – 26/05/2023
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland – 27/05/2023
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Single Review: Beautiful Creature
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe – 24/05/2023
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EP Review: Bridge City Crew
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Single Review: Your Heart of Gold
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Single Review: The Strangest Dream
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Single Review: No Funeral Blues
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