Single Review: Consume Feat. Lana Paige
Seas of Conflict
I know I was not the only one within the metal scene to be excited when I heard there was a new release coming from Seas of Conflict. Although there have been significant line-up changes since I last saw them play, the duo of Kody (vocals) and Nic (all instruments) are producing music which is as dynamic, downtuned and brutal as ever. In many ways this reminds me of what was coming out when nu-metal started in the 90’s, yet with a far more modern approach, sliding chords and a band refusing to be constrained by any genre as they throw lots of different styles into the mix along with changing tempos, all of which add depth and breadth to the brutality.
If that is not enough, they also asked Lana Paige to join on guest vocals. Lana is lead singer with Enclosures, and although I have not seen them under this name, I have seen them when they were playing as Dogtooth Amethyst and while Lana can be heard providing some wonderfully clear and powering vocals higher up in the register, I also have incredible respect for her growls and wonder if she is swapping them with Kody at different times. Seas of Conflict continue to release music which is compelling and powering, pushing metal into different areas, with both clean and dirty vocals, and I hope that at some point in the future we get a live line-up as music as strong as this needs to be played at a venue.
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About the author Kev Rowland
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From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews
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