Album Review: Águas Brilhantes: 2018-2022

David Edwards

Review by Kev Rowland // 20 February 2023
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Album Review: águas Brilhantes: 2018 2022 1

What we have here is the fourth in a series of compilations from Dave Edwards, AKA Fiffdimension, covering the years 2018-2022 (the others are for earlier years) and includes previously unreleased recordings, download-only bonus tracks, and excerpts from 12 albums. Yes, twelve. Dave is a musician who has a huge range of influences and styles, and the music keeps pouring out of him. However, I get the impression (rightly or wrongly) that each album is in a similar style, and he uses multiple personas to keep each musical strand separate. That is fine when one is playing one of those, but when they are all mixed up in a compilation which contains 28 songs and a running time of nearly 90 minutes it is somewhat more eclectic.

I was trying to think which label this album belongs on, and the closest I could come to was Alternative Tentacles as there is something about this underground independent mix which I can see appealing to Biafra. We go from bossa nova rhythms to folk to RIO to indie to, what is interesting listening if nothing else, a dog howling along to a banjo (Oscar’s Blues), and I am sure there are many who can understand the pain the poor dog is going through. We have songs taken from Poems & Lyrics (in the Scotch dialect) (1856), where Dave paid tribute to his ancestor John Collie who wrote a book of poems more than 150 years ago and he and other family members took some of those and put them to music, ensuring his words are being uttered again, all those years after they were first committed.

Dave’s website is interesting, and he provides a great deal of information to where songs have come from, where he was when they were recorded, as well as where the inspiration comes from. His Bandcamp page is also informative, with plenty of links and information so that even the uninitiated such as myself can easily find a way into his vast catalogue. Given the difference in styles I am not sure if this is a great introduction to his music, but I would instead use this as a guide and make notes of what songs are the most enjoyable and then seek out the albums on which they originally appeared. It is unusual to find someone playing so confidently in such diverse areas and anyone into independent music will certainly find something on here to enjoy.

Listen to Águas Brilhantes: 2018-2022 here

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About the author Kev Rowland

From 1990 – 2006 I ran Feedback fanzine in the UK, writing about bands that were rarely covered in the mainstream press, many of whom were in the underground scene. I built close ties with many British Progressive groups in particular, including writing the newsletter for Freewill, getting gigs for Credo and writing the introduction to Galahad’s OCMDII compilation. I reviewed literally thousands of cassettes and then CDs from bands from throughout the world, and was lucky enough to interview many of them. During this period I also contributed to the French progzine Acid Dragon, wrote for the music newspaper Rock ‘n’ Reel and was also involved with the Ghostland website. In 2006 I moved to NZ, and stopped running Feedback (which was then renamed Amplified after I left, at my request) having produced over 80 editions with more than 11,000 pages of print and heaven knows how many reviews

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