As the winter smog begins to lift over Aotearoa, Auckland singer-songwriter ISLA releases her ode to seasonal depression, Low. This is an EP of smooth, delicate dream-folk, from an independent artist backed by her “band of sisters” clearly deeply impassioned by the music just as their frontman is.
The sleepy opening track Such A Shame introduces all the cornerstones of the Low project. Light acoustic guitars, winding vocal melodies and string flourishes flesh out the song over its gentle four-minute runtime, adding dynamics without ever making the song feel overbearing. The instrumental break in the bridge section is particularly expressive. Relaxed drums grounding this section craft a relaxed feel that juxtaposes the pessimistic lyricism in an increasingly interesting way.
Title track Low is spooky and strange, sparse in its production in order to curate the creeping, dull sensation of depression through music. ISLA wails wordless melodies, speaking to pain without actually saying a word. It’s brief, but brutal. This same energy is echoed on closer Overthinking, developing these themes into wider, more expansive instrumentals that soar through the longer runtime. The piano-led Better combines shuddering dark instrumentals with dreamy vocals, operating again in contrast that allows the song to unveil more meaning in its lyrics with each listen.
Standout song Mustard Skies tackles “climate anxiety” in heartbreakingly honest fashion, imagining a world deteriorating into an apocalypse that feels all too plausible today. “They took it all, it was never enough”, she sighs, noting the detached resignation many of us also feel towards the topic. Certain lines feel reminiscent of Matt Maltese’s cult classic track ‘Til The World Caves In, but this inspiration is blended subtly into the otherwise unique tune.
Although its themes are as “low” as the EP’s title would suggest, the cozy folk style of ISLA’s music makes her lyrical material all the more palatable and relatable. Low is a gorgeous collection with a message to share, and a feeling to draw its listeners into, thriving in its intentional sense of discomfort, then release.
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About the author Danica Bryant
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Sharply bitter and sickeningly sweet all at once, Danica Bryant is not your ordinary songwriter. Born to the fruitful music scene in Napier, New Zealand, her songs cover intense topics such as adolescence, mental health, sexuality, and young love. Danica Bryant is “all hard guitar and pain-filled howl” (The Hook NZ) – this woman bites back. Bryant played her first gig at age twelve. Her career ripened when Smokefree Rockquest awarded her the National APRA Lyric Award in 2018, for ‘Dizzy’. The following year, her track ‘Sugarbones’ featured on Play It Strange’s annual songwriting compilation album, and she won their national ‘Who Loves Who’ contest covering Aldous Harding’s ‘Horizon’. Bryant was also selected for mentorship by Bic Runga at her Christchurch Art Centre workshops. After opening for Kiwi legends like Jason Kerrison and Paul Ubana Jones, Bryant was cherry picked to support Elton John on his ‘Farewell Yellow Brick Road’
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