EP Review: Hey Human

Bird Machine

Review by Danica Bryant // 25 February 2024
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Ep Review: Hey Human 1

Their name is animal, but their music is undeniably human. Bird Machine’s latest release is a five-track collection of shoegazing pop-rock, composed by husband and wife duo Luke and Jenna Grbin. It’s a thrilling entry to the alternative genre with a beautiful earnesty to the songwriting.

Latest single St. Elmo’s Fire (Keep Me Awake) is Hey Human’s standout track, a pounding, anthemic moment of stadium rock that boasts fierce electric guitars and a lead vocal performance ready to belt to the rafters. It calls for the listener to stay awake and find “where the noise beats stronger“. They should resist the urge to expectations, and instead forge their own path in the world. Where this message has high potential to come across cliche, Bird Machine adapt the standards with inspiring yet mysterious imagery of nature and family, and a punchy rhyming scheme that makes this song a perfect hit for fans of acts like Paramore and Alabama Shakes.

Closure is the moody tonesetter that promises a sense of future growth in its dreamy, cyclical hook, “It doesn’t have to be this way”. Melisma’s in this song put Jenna’s charismatic vocals at the forefront of the performance. You’ll Be Fine similarly emphasises a feeling of hope and optimism, fluttering from a gentle piano-led opening into an explosive chorus. Spunky, rattling guitars litter the track, 

reminiscent of the late 2000s Guitar Hero craze. But this sound is subtly modernised through a backing wall of sound, hazy and wild with subtle buried keys. Although the melodies throughout the EP do begin to feel somewhat similar, this sense of cohesion is also something to be proud of, allowing the songs to differentiate themselves with further listening as they unveil more details.

The duo emphasise the feeling of dissonance on Through The Windows, a slower track that’s deliberately vague in its musings on human relationships. Its synth post-chorus is simple and gentle but becomes a surprising earworm long after it’s over. Switching between vocalists on the closing track From Here In The Light HouseHey Human‘s conclusion is sweeping and ethereal. Picturing a finale in a metaphorical harbour, it’s a cinematic finale worthy of Bird Machine’s deeply emotional storytelling throughout.

What’s most impressive about this EP is that it’s independently produced in the duo’s home studio, but the sound is as polished as ever. Hey Human has all of alt-rock’s necessary grit and fire, but also features an extra sheen to the mix, which makes Bird Machine stand out amongst New Zealand’s exciting rock acts.

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About the author Danica Bryant

Sharply bitter and sickeningly sweet all at once, Danica Bryant is not your ordinary songwriter. Born to the fruitful music scene in Napier, New Zealand, her songs cover intense topics such as adolescence, mental health, sexuality, and young love. Danica Bryant is “all hard guitar and pain-filled howl” (The Hook NZ) – this woman bites back. Bryant played her first gig at age twelve. Her career ripened when Smokefree Rockquest awarded her the National APRA Lyric Award in 2018, for ‘Dizzy’. The following year, her track ‘Sugarbones’ featured on Play It Strange’s annual songwriting compilation album, and she won their national ‘Who Loves Who’ contest covering Aldous Harding’s ‘Horizon’. Bryant was also selected for mentorship by Bic Runga at her Christchurch Art Centre workshops. After opening for Kiwi legends like Jason Kerrison and Paul Ubana Jones, Bryant was cherry picked to support Elton John on his ‘Farewell Yellow Brick Road’

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