EP Review: Nightfall

Nightfall is the debut EP from Auckland-based Jenni Smith, and smacks of a relative unknown on the cusp of something much bigger. The four songs were written about “things that keep me awake at night”, and all have their roots in the emotions surrounding relationships, whether romantic or otherwise. Whilst the lyrical themes are very much in line with someone in their early 20s, the songs themselves show a depth and maturity of songwriting skill.

The first track is Crowded Places, a relaxed feel underpins an intro laced with acoustic mandolin and a subtle slide guitar line. The production is crisp and clear, Jenni’s sweet and pure voice sitting beautifully atop the instrumentation. The poignant lyrics speak of reminders of a love lost, of being nostalgically haunted by memories of the relationship that was. Jenni cites Taylor Swift as a primary influence, and manages to wear that influence proudly, without sounding derivative. A subdued line of piano brings I Only Fall in, percussion coming in at the one minute mark, establishing the song’s character. A nicely constructed Country/Pop song speaking of hidden desire, of longing after a crush, and yet not quite feeling able or ready to share those desires. A relatable and bittersweet tale, delivered in a musical package that perfectly captures that swirl of emotion, which will tug at the heartstrings of even the most cynical of listeners.

On In My Head, Jenni’s voice is partnered with a gentle arpeggio on keys and acoustic guitar. This song shows a more plaintive and reflective mood, exploring vulnerability and self-doubt. However, the overall message is that we’re never completely alone, and often we can be our own worst enemies by believing too much in negative thoughts…it’s all just in your head. Preach. The song goes on to open up, and becomes musically much bigger in the latter half, Jenni absolutely smashing some stunning high notes.

I Don’t Know How Not To is another exploration of relationship dynamics, this one examining the unenviable situation of “catching feelings” for someone who had always been just a friend and discussing the possibilities of how to navigate the subsequent emotions. Musically, it leans much more towards the Pop spectrum, than Country. Jenni has a knack for writing this style of lyrics in a fresh way, without sounding too similar to her contemporaries in the genre. A sweet and wistful song.

The final track of the EP is a demo version of I Only Fall, just that gorgeous voice and piano, listed as a “voice memo”, sounding like it was perhaps recorded on a phone. It’s a wonderful demonstration of her songwriting skills, this stripped-back version equally as powerful as the polished finished product.

If this EP is any indicator, Jenni’s is a star that will continue to rise, and any Swifties worth their salt would do well to pay attention. Bravo.